“La traviata” in Munich

Bayerische Staatsoper

PRESENTS:

La traviata

La traviata: Piotr Beczala, Ermonela Jaho La traviata: Fabio Maria Capitanucci, Ermonela Jaho

Giuseppe Verdi

Libretto by Francesco Maria Piave

Men don’t fall in love with courtesans! That’s the opinion of Alfredo’s father after his son moves in with the mortally ill Violetta Valéry. In her love for Alfredo Violetta even agrees. She leaves him, dies poor, ill – still dreaming of the happiness of true love. One of Verdi’s most beloved operas continues to hold the mirror up to society and its hypocritical morality. An exemplary production! See it!

In Italian with German surtitles

Nationaltheater

Performances:
Tuesday, 31 December 2013, 6.00 p.m.
Friday, 3 January 2014, 7.00 p.m.
Monday, 6 January 2014, 6.00 p.m.
Tuesday, 15 April 2014, 7.00 p.m.
Saturday, 19 April 2014, 7.00 p.m.
Friday, 25 April 2014, 7.00 p.m.
Friday, 4 July 2014, 7.00 p.m.
Monday, 7 July 2014, 7.00 p.m.
Thursday, 10 July 2014, 7.00 p.m.

 SYNOPSIS

Scene One

Alfredo Germont, a young man from Provence, is introduced by Gaston, Vicomte de Letorieres, to Violetta Valery, a famous courtesan. She is giving a soiree in her house in Paris. Gaston knows how much Alfredo admires Valery, but initially she pays hardly any attention to Germont.

When Baron Douphol, with whom Violetta is having an affair, refuses to propose a toast in celebration of the evening, Alfredo, urged on by Violetta, declares his willingness to do so. He sings a passionate song in praise of love with Violetta and the party guests joining in.

As the guests go off to dance, Violetta suddenly feels faint and has to remain behind. Alfredo makes a declaration of love. Violetta turns him down with gentle scorn. Touched however by Alfredo’s candid overtures, she presents him with a camellia: he may return when the flower has withered, that is, within a day. At dawn the guests depart.

Alone, Violetta reflects on the senselessness of her past life. But still she refues to accept that she is falling in love with Alfredo.

Scene Two

Violetta has retreated to a country-house with Alfredo. Far away from Paris, she wants to enjoy some happiness with her beloved.

Alfredo learns from the servant Annina that Violetta intends to sell her valuables in order to support them.

After Alfredo has left the house in order to procure the necessary money himself, his father pays Violetta an unexpected visit. He asks that she break off the relationship with his son. Giorgio Germont demands this sacrifice because a liaison between his son and a courtesan would compromise his family and endanger his daughter’s proposed marriage.

Violetta is prepared to make the sacrifice and leave Alfredo on condition that Giorgio Germont reveal to his son after her death the true reasons behind her actions.

Violetta sends Annina with a message to her friend Flora Bervoix in Paris that she will attend her soiree that evening. Then she writes Alfredo a farewell letter. On the pretext of wanting to prepare for his father’s visit, Violetta leaves the unsuspecting Alfredo and returns secretly to Paris.

A few moments later a messenger brings Alfredo Violetta’s letter. She informs him that she has decided to return to her former life.

Alfredo’s father tries in vain to persuade his son to return to the family. Alfredo rushes off to Paris to Flora’s salon.

Scene Three

There is dancing, singing and gambling at the courtesan Flora Bervoix’s soiree. Alfredo is looking for Violetta. He appears to be desinterested when asked about his mistress. The guests invite him to take a seat at the gambling table.

Soon after Violetta enters the room on the arm of her former lover, Baron Douphol. At the gambling table Alfredo provokes not only the Baron but also Violetta with his remarks.

After the guests have sat down to dinner, Alfredo is able to speak with Violetta alone. She pretends to be in love with the Baron and implores Alfredo to leave at once, as she is afraid he might lose his life in a duel with Douphol.

In a state of extreme agitation Alfredo summons the guests. In front of the assembled people he throws the money he has won at Violetta’s feet. Alfredo’s father enters at this moment and rebukes his son for his lack of self-control. The emotional upheaval has drained Violetta. Rejected by the others, she slowly leaves the room.

Scene Four

Some time later. Besides her deteriorating health Violetta is now financially ruined. Doctor Grenvil consoles the dying woman.

In a letterfrom Giorgio Germont,Violetta learns that there has been a duel between Alfredo and Douphol. Germont announces furthermore that his son will be arriving.

Violetta feels that death is imminent. Outside a carnival procession passes by. Annina prepares Violetta to meet Alfredo who has returned.

The lovers embrace passionately. Alfredo pleads with Violetta for forgiveness. Violetta experiences one last surge of life, then succumbs. Doctor Grenvil and Giorgio Germont find a dying woman.

Translation: Christopher Balme
© Bayerische Staatsoper

CAST AND CREATIVE TEAM

Conductor

Paolo Carignani (c) Barbara Aumüller

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Production

Günter Krämer

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Set

Andreas Reinhardt
Geboren in Meißen; Ausbildung an der Hochschule für Bildende Künste in Dresden und an der Deutschen Akademie der Künste Berlin. 1965 Bühnenbildner am Berliner Ensemble; 1977 Bühnenbildner an den Staatlichen Schauspielbühnen Berlin; seit 1978 freier Bühnenbildner in München. Ausstattungen an allen großen europäischen Opernhäusern – u.a. Der Ring des Nibelungen in Hamburg – sowie bei den Festspielen von Bayreuth, Salzburg und Spoleto. An der Bayerischen Staatsoper schuf er das Bühnenbild zu La traviata, die Gesamtausstattung zu Il barbiere di Siviglia (Inszenierung: Ruth Berghaus), zu Henzes Der junge Lord und zu Lohengrin.

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Costumes

Carlo Diappi

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Lighting

Wolfgang Goebbel
Wolfgang Göbbel
Geboren in Ulm. Zahlreiche Arbeiten an verschiedenen renommierten europäischen Bühnen wie z.B. an der English National Opera (Tristan und Isolde, Un ballo in maschera, Béatrice et Bénédict), am Châtelet Paris (King Arthur) oder bei den Salzburger Festspielen (Der Kirschgarten). An der Bayerischen Staatsoper entwarf er das Licht-Design zu Lucia di Lammermoor, Un ballo in maschera und La traviata.

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Violetta Valéry

Ailyn Pérez © Paul Mitchell

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Flora Bervoix

Tara Erraught (© Christian Kaufmann)

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Alfredo Germont

Ivan Magrì

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Baron Douphol

Christian Rieger

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Marquis d’Obigny

Tareq Nazmi

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Giuseppe

Matthew Grills

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Ein Diener Floras

Leonard Bernad

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Ein Gärtner

Rafał Pawnuk
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