“L’Italiana in Algeri” in Beijing


The National Centre for the Performing Arts of Bejing Presents:

Rossini’s “L’Italiana in Algeri”italianainalgeripechino

Performance Dates 
Thur 2013-11-21 
Fri  2013-11-22
Sat  2013-11-23
Sun  2013-11-24
Mon  2013-11-25
Tue  2013-11-26
Wed  2013-11-27
Thur 2013-11-28
Fri 2013-11-29
Sat 2013-11-30
Sun 2013-12-01
Mon 2013-12-02
Tue 2013-12-03
Wed 2013-12-04
Thur 2013-12-05
Fri 2013-12-06
Sat 2013-12-07
Sun 2013-12-08
Mon 2013-12-09

Giancarlo del Monaco Director
Giancarlo del Monaco, the son of the famous tenor Mario del Monaco. He made his debut as a stage director in 1964 in Siracusa (Italy) with Samson et Dalila (starring Mario del Monaco).

He started his career in Germany as assistant to Wieland Wagner, Günther Rennert and Walter Felsenstein before assuming the post of principal stage director in Ulm from 1970 to 1973 where he staged some 15 productions.He was General Manager of the Macerata Festival (Italy) from 1986 to 1988 and the General Manager of the Opera der Bundesstadt Bonn from 1992 to 1995. From 1997 to 2001, Giancarlo del Monaco was the General Director of the Opera House of Nice (France).

Contemporaneous with his career as General director, Giancarlo del Monaco becomes one of the most important and sought after stage directors of his generation.He has staged productions in renowned theatres in major cities around the world and collaborated with the most important conductors and stage designers of the operatic world. Fluently speaking 5 languages, his operatic repertoire contains more than 100 operas, staged in their original language.

In 1991, he was invited to stage La Fanciulla del West at the Metropolitan Opera. This was followed by Stiffelio, Madama Butterfly, Simon Boccanegra and La Forza del Destino (for which he was honored by the American Institute of Verdi Studies). All of these Met productions were filmed and internationally broadcast.Giancarlo del Monaco has been the recipient of numerous honors. From 2009, he is the artistic director of the Tenerife Opera Festival.

William Orlandi Set Design
After studying at the Academy of Belle Arti of Brera in Milan, William Orlandi designed sets and costumes for Il Trovatore directed by Alberto Fassini at the Theater San Carlo in Naples, Don Carlos, Don Giovanni directed by Lorenzo Mariani in Parma and numerous other operettas. He worked with Alberto Fassini in various operas, such as Romeo et Juliette in Palermo, Il Trovatore and Werther at the New National Theater in Tokyo and Norma at the Regal Theater in Turin.Since 1987 he has worked regularly with Gilbert Deflo, Liebermann’s La Foret at the Grand Theater Geneva is the beginning of this collaboration, followed by Aida, The Coronation of Poppea, Carmen etc. And in the 2005-2006 season a new version of L’amour des trois oranges for the Opera Bastille in Paris.His design also can be seen in Cavalleria Rusticana by Mascagni, Massenet’s Therese, Rigoletto by Verdi and La Gioconda by Ponchielli in 2002 and 2003 seasons at Hopernhaus Zurich and Cavalleria Rusticana, Pagliacci for Arena of Verona in 2006 season.  
Vinicio Cheli Lighting Design
Vinicio Cheli was the lighting designer for NCPA’s production of Tosca in May 2011, Der Fliegende Hollander in April 2012 and Un Ballo in Maschera in May 2012. From 1974 to 1979, Vinicio Cheli works at the ‘Maggio Musicale Fiorentino’ involved in all productions. Since 1979 he joined the ‘Piccolo Teatro’ of Milan and became the light collaborator of Giorgio Strehler , he making the entire production of Piccolo until 1989. Since 1987, for four years, he worked with the ‘Rossini Opera Festival’ to produce shows with several directors. At the same time since 1989 he worked at the Salzburg Festival, Theatre Champs-Elysees, Chalet Theatre in Paris with the set design by Pier Luigi Pizzi, then respondeed to the La Scala in Milan. Recollaborated some years with the Teatro La Fenice in Venice. The 90s of the last century saw him work in the Opera Bastille, National Theatre of Prague,Festival of Aix en Provance, Ravenna Festival, the Opera of Monte Carlo, Opera of Geneva, Maggio Musical Fiorentino, Baroque Festival of Versailles, Opera Garnier in Paris, Easter Festival in Salzburg, Teatro Liceu in Barcelona, Atticus Theater in Athens, Ginza Saison Theater in Tokyo, Theatre of the axes of Brussels, Amsterdam Opera, Teatro Comunale of Bologna, Teatro dell’Opera in Rome, Opera of Toulouse, National Theatre of Catalunya in Barcelona,Teatro Real Madrid, Metropolitain in New York, and collaborated with P.L.Pizzi,Ezio, Frigerio, Hugo de Ana, KM Gruber, Henning Brockaus, Claudio Abbado, Riccardo Muti, to name just a few. In the new miennium, Vinicio Cheli continued to expand his collaboration with Ezio Frigerio, Hugo de Ana, F. Zeffirelli, V. Gergiev, Claudio Abbado, Nicola Joel, Quirino Conti, Mario Gas, in productions covering a vast realm of the opera repertoire.  In 2010, he set up La donna del lago of Rossini direqued by Luis Pasqual with scenes by Ezio Frigerio and costumes by Franca Squarciapino; Boris Godunojv directed by Andrei Konchalovsky In the beginning of 2011, he worked in Senso a new opera directed scenes and costumes by Hugo De Ana. July 2011 ‘Medea’ directed by Theodorakis in Syros Festival of the Aegean. In November of 2011, he worked in ‘The sleeping beauty’, first ballet of reopening of Bolshoi Theater. Vinicio Cheli also taught theatrical lighting at the New Academy of Fine Arts in Milan and at the Professional School of La Scala.ncpa chorusNCPA Chorus was established on December 8, 2009, whose members were carefully selected from famous music schools in and out of China. Now the Chorus has Wu Lingfen as the conductor, with many artists well-known in China and abroad giving instructions. Affiliated to NCPA, the highest palace of performing arts in China, the Chorus adheres to NCPA’s guiding principles of ‘for the people, for the arts, and for the world’. The Chorus mainly stages operas and concerts, and also takes part in kinds of cultural communication events.The Chorus presented its debut performance in NCPA Opera Festival 2010, and has taken part in and gained critical acclaim from the performances of NCPA’s Xi Shi, Carmen, La Traviata, L’elisir d’amore, Turandot, A Village Teacher, Tosca, Die Fledermaus, and The Chinese Orphan. As NCPA’s resident chorus, it took part in Turandot (NCPA version) on the tour to Seoul Arts Center in January 2011 and gained high praise. The Chorus has offered a great number of performances including Road to Revive, To the Music (debut), Roam About the Classics, To Our Motherland– NCPA Chorus Concert for the Army Day, Arias of Love, Beethoven’s ninth symphony, and Mahler’s second symphony.  

The Chorus has cooperated with top artists like directors  Francesca Zambello and Giancarlo del Monaco; conductors Lorin Maazel, Lu Jia, and Li Xincao; singers Inva Mula, Juan Pons,Brandon Jovanovich, Dai Yuqiang, Warren Mok, Zhang Yalun, Zhang Liping, Sun Xiuwei, and Liang Ning. Its over-one-hundred performances have taken an active role in the further development of NCPA. 

China NCPA Orchestra
China NCPA Orchestra is the resident orchestra of the National Centre for the Performing Arts of China (NCPA), balancing a busy and distinguished performance schedule with a reputation as one of China’s most adventurous and dynamic orchestras. Established in March 2010, the orchestra is composed of distinguished musicians from around the world, performing more than a dozen operas, ballets and regular symphonic seasons every year. Maestro Lu Jia took up the post of Principal Conductor in February 2011, succeeding Chen Zuohuang, the current Laureate Conductor, NCPA’ Music Artistic Director and also one of the founders of the orchestra.The NCPA Orchestra demonstrates an abiding commitment to high levels of artistic excellence and prides itself on its long-term collaborations with the finest musicians of our day. Artists associated with the orchestra in the past two years include Lorin Maazel, Christoph Eschenbach, Vladimir Ashkenazy, Yan Pascal Tortelier, Gunter Herbig, Gilbert Varga, Lang Lang, Stephen Kovacevich, Leo Nucci, Wang Yuja and Han-Na Chang. Maestro Lorin Maazel praised the orchestra as “a hard-working excellence with great passion” after a series of concerts and the NCPA’s new La Traviata in June 2010.    

In its first season of 2011, China NCPA Orchestra gained critical acclaim for its performances in NCPA’ new productions of Tosca (Directed by Giancarlo Del Monaco), Il Barbiere di Siviglia (co-produced with Castleton Festival), Die Fledermaus, and a new composed opera The Chinese Orphan. Apart from that, the orchestra was also deeply involved in NCPA’ 2011 Gustav Mahler Project. Under the batons of maestros including Christoph Eschenbach, Yoel Levi, Jun Maerkl and Chen Zuohuang, the orchestra completed Mahler’s Symphonies No. 1, 2, 3, 8 and 10.  

In the season of 2012, China NCPA Orchestra won a highly successful acclaim for two NCPA’s new productions: Der Fliegende Hollander and Lohengrin, both Wagner’s operas were Chinese premiere. It continually collaborates with prominent musicians around the world for concert programs, including Maestro Vladimir Ashkenazy, Yan Pascal Tortelier and the legendary pianist Rudolf Buchbinder.  

In addition to its extensive domestic performances, the NCPA Orchestra also received a widespread international praise in 2012. The orchestra was invited by Kissingen Summer Music Festival and Schleswig-Holstein Musik Festival in July 2012, and kicked off his first German tour in Nürnberg, Hamburg and Berlin under the baton of Christoph Eschenbach and Chen Zuohuang. This was followed by a successful concert at the Sydney Opera House with Maestro Chen Zuohuang in November. 

In the season of 2013, the NCPA orchestra presents colorful programs on the commemoration of Wagner, Verdi and Britten, highlighting the Ring without words with 12 principals from Berlin Philharmonic under the baton of Lorin Maazel. NCPA’s new opera productions that the orchestra is involved include Les Contes d’Hoffmann, Otello and Nabucco, which features her second successful collaboration with Placido Domingo.    

The NCPA orchestra aims to build up a world-class orchestra with operation and management conforming to global practices while incorporating Chinese characteristics. Devoted to educational and outreach activities, the Orchestra also has presented a series of Weekend Matinee Concerts since its establishment. With specially selected repertoire, performances of high quality and extremely low ticket prices, these concerts have won great acclaim from both audience and critics. The orchestra is now embarking on a similar path with the complete Beethoven symphonies with Maestro Lu Jia.

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