‘As the hero of the opera, Don Giovanni is the denominator of the piece, he gives it its name as the hero usually does, but he does more than this : he is the common denominator. Compared to his existence, all others are merely derivative.’ So wrote the Danish philosopher Kierkegaard, who, like many others, was fascinated by Mozart’s 1787 opera. ‘It is this absolute centrality that makes this work exercise the power of illusion more than any other.’ Does this work, the second joint venture by Mozart and the librettist Da Ponte, need any further introduction ? This ‘dramma giocoso’ can hardly be categorised : opera seria, opera buffa ? – Don Giovanni is universal, enigmatic, superhuman, mythical. After Così fan tutte and La Clemenza di Tito, Ludovic Morlot will conduct his third opera by Mozart at La Monnaie. For those who are familiar with Warlikovski’s approach, it will come as no surprise that Don Giovanni will be presented as a dark, desperate character.
Rehearsing Don Giovanni
New productionProduction La Monnaie / De Munt
With the support of Electrabel
Don Giovanni
Music direction ¦ Ludovic Morlot
Director ¦ Krzysztof Warlikowski
Set design & costumes ¦ Malgorzata Szczesniak
Lighting ¦ Felice Ross
Dramaturgy ¦ Christian Longchamp
Choreography ¦ Claude Bardouil
Video ¦ Denis Guéguin
Chorus direction ¦ Martino Faggiani
CAST:
Don Giovanni ¦ Jean-Sébastien Bou
Il Commendatore ¦ Sir Willard White
Donna Anna ¦ Barbara Hannigan
Don Ottavio ¦ Topi Lehtipuu
Donna Elvira ¦ Rinat Shaham
Leporello ¦ Andreas Wolf
Masetto ¦ Jean-Luc Ballestra
Zerlina ¦ Julie Mathevet
Orchestra & chorus ¦ La Monnaie Symphony Orchestra & Chorus
02, 04, 07, 09, 11, 14, 16, 18, 20, 23, 26, 28 & 30 December
Don Giovanni
Dramma giocoso in due atti, KV.527 (1787)
Libretto di Lorenzo da Ponte
Premiere Nationaltheater, Praha, 29/10/1787
