‘As the hero of the opera, Don Giovanni is the denominator of the piece, he gives it its name as the hero usually does, but he does more than this : he is the common denominator. Compared to his existence, all others are merely derivative.’ So wrote the Danish philosopher Kierkegaard, who, like many others, was fascinated by Mozart’s 1787 opera. ‘It is this absolute centrality that makes this work exercise the power of illusion more than any other.’ Does this work, the second joint venture by Mozart and the librettist Da Ponte, need any further introduction ? This ‘dramma giocoso’ can hardly be categorised : opera seria, opera buffa ? – Don Giovanni is universal, enigmatic, superhuman, mythical. After Così fan tutte and La Clemenza di Tito, Ludovic Morlot will conduct his third opera by Mozart at La Monnaie. For those who are familiar with Warlikovski’s approach, it will come as no surprise that Don Giovanni will be presented as a dark, desperate character.
New productionProduction La Monnaie / De Munt
With the support of Electrabel
All images from the reharsal of Don Giovanni © Hofmann / La Monnaie – De Munt
|Music direction||¦||Ludovic Morlot|
|Set design & costumes||¦||Malgorzata Szczesniak|
|Chorus direction||¦||Martino Faggiani|
|Don Giovanni||¦||Jean-Sébastien Bou|
|Il Commendatore||¦||Sir Willard White|
|Donna Anna||¦||Barbara Hannigan|
|Don Ottavio||¦||Topi Lehtipuu|
|Donna Elvira||¦||Rinat Shaham|
|Orchestra & chorus||¦||La Monnaie Symphony Orchestra & Chorus|
|02, 04, 07, 09, 11, 14, 16, 18, 20, 23, 26, 28 & 30 December|
Surtitles in French / Dutch
Approximate running time: 3 hours 45′ (including 1 interval)
Attention: this production contains scenes and images with explicit sexual content which we do not advise for children and youngsters under 16.
Pre-performance talks half an hour before the start of the performances by Rebecca Marcy (in French) and by Gert Haelterman (in Dutch).
La Monnaie, Grande Salle