Ukranian National Opera Presents:
Giuseppe Verdi’s
La traviata
Opera in 3 acts
Tuesday, October 15. 2013
Starting time 17:00
Ending time 21:50



































Madama Butterfly was performed on September 19, 21, 25 and 27
“Riveting, heartfelt … breathtaking and thoroughly engaging” – Sunday Independent
“Christine Crouse’s production is simple, beautiful and gimmick-free … and she creates gorgeous scenes” – Die Burger.
“an engaging production of an operatic masterpiece … which can be warmly recommended, especially to first-time opera-goers” – The Cape Times.
Presented by Cape Town Opera

Christine Crouse and Michael Mitchell’s visually stunning staging of Puccini’s most heart-rending opera returns to the Opera House at Artscape
“And the geisha will sing, as she used to do. And the happy song will end in a sob”
East and West collide with tragic results in Puccini’s devastating opera about a trusting young Japanese bride and the callous American naval officer who weds and abandons her. Famous highlights including Butterfly’s aria ‘Un bel dì’, the joyous Flower Duet and the haunting Humming Chorus emerge from a score of consistent beauty and power, which goes straight for the emotional jugular and seldom fails to reduce even the hardest hearts to tears.
Christine Crouse’s “visually arresting” production, with Kabuki-inspired designs by Michael Mitchell, was a sell-out sensation at its first run in 2009.
Conductor: Albert Horne
Director: Christine Crouse
Set and Costume Design: Michael Mitchell
Lighting Design: Kobus Rossouw
Movement Director: Jacki Job
Cape Town Opera Voice of the Nation Chorus
Chorus Master: Albert Horne
CAST
Pinkerton Tshepo Moagi
Goro Lukhanyo Moyake
Suzuki Violina Anguelov (u/s Nonhlanhla Yende)
Sharpless Mandisinde Mbuyazwe (u/s Owen Metsileng)
Cio-Cio-San Tatiana Monogarova
The Imperial
Commissioner Nkosana Sitimela
The Registrar Lindile Kula Snr
The Bonze Xolela Sixaba
Prince Yamadori Owen Metsileng (u/s Mandisinde Mbuyazwe)
Dolore Cade Miller
Kate Pinkerton Siphamandla Yakupa and Nonhlanhla Yende
Kabuki Actors 1. Mark Hoeben
2. Richard September
Supers 1. Lubabalo Velebayi
2. Lindile Kula Jnr
3. Thando Mpushe
Pictures from our 2009 Production of Madama Butterfly



UKRAINE NATIONAL OPERA PRESENTS:





Ukranian National Opera Presents:Starting time: 19:00
Ending time: 21:35
Address of the theatre:
Kyiv, 01034, Volodymyrska st., 50
Ukraine















The Norwegian National Opera & Ballet presents
Christoph Willibald Gluck has gone down in music history as one of opera’s great reformers. Gluck felt that music theatre in his day had become too distant from its original concept. Superficial effects and circus-like entertainment were in the way of the interplay between text and music. He wished to return opera to its original ideals. His first opera in this new style was Orpheus and Eurydice.
The myth of Orpheus, who journeys to the underworld to save his beloved Eurydice, is about love and the transcending power of the music. Gluck illustrates Orpheus’ journey and his encounter with angry Furies and Blessed Spirits, with music that is free of effects yet which arouses strong feelings. It is pure and balanced, with dark and light, simpleness and pathos in perfect equilibrium.
This is the first time in a long time that we are able to present a coproduction between the Norwegian National Opera and the Norwegian National Ballet. House choreographer Jo Strømgren has directed, choreographed and done the scenography, and contra-tenor Lawrence Zazzo sings the role of Orpheus. Audiences can also look forward to hearing once again conductor Rinaldo Alessandrini.

The Opera Balet Ljubljana Presents: Giuseppe Verdi’s| 3 October 2013 | 19:30 | SNG Opera in balet Ljubljana | |
| 15 November 2013 | 19:30 | SNG Opera in balet Ljubljana | |
| 27 November 2013 | 19:30 | SNG Opera in balet Ljubljana | |
| 29 November 2013 | 18:00 | SNG Opera in balet Ljubljana | |
| 14 December 2013 | 19:30 | SNG Opera in balet Ljubljana | |
| 16 December 2013 | 19:30 | SNG Opera in balet Ljubljana | |
| 16 January 2014 | 19:30 | SNG Opera in balet Ljubljana | |
| 18 January 2014 | 19:30 | SNG Opera in balet Ljubljana | |
| 28 February 2014 | 19:30 | SNG Opera in balet Ljubljana | |
| 29 March 2014 | 19:30 | SNG Opera in balet Ljubljana |
In March 1850, the Venetian La Fenice commissioned Verdi to compose an opera seria that would be performed during the Carnival, in 1851. The composer gladly accepted the commission, since the two of his operas – Ernani and Atilla – were already successfully premiered at this renowned theatre. He occupied himself with the choice of topic for quite some time and finally opted for Hugo’s Le roi s’amuse, as he found it one of the greatest plays of its time and the creation, worthy of Shakespeare himself. He was particularly allured by Hugo’s dramaturgy with sharp, romantic contrasts, turbulent conflicts of passion, zealous love of freedom as well as exciting and dynamic development of action. Although the theatre’s direction accepted the suggested theme, it did have its doubts, mainly due to the stormy reactions, caused by Hugo’s source material on the occasion of its first staging in Paris, in 1832. Even Verdi was concerned, but the poet Francesco Maria Piave assured him of the opposite and wrote the entire libretto after the composer’s draft that was at first entitled as La maledizione (The Curse). Then the Austrian censorship banned the opera’s performance under this title due to its alleged immorality and obscenity. However, since the composer had already set a significant part of the play to the music, he could not afford the additional loss of time that would be necessary for the acquisition of a new topic. The obedient and flexible Piave set himself to some remaking, with which, however, the composer did not agree. After a series of complications the senior police officer Martello wisely proposed some alterations, which would comply with the demands of the censorship on the one hand and would not considerably affect the essence of the opera’s dramatic concept on the other. Thus the French King was replaced with the unknown Duke of Mantua, the court jester was named Rigoletto and some other characters also obtained new names so that the premiere, held in Venice on 11th March 1851, could see its triumph at last. The first performance was soon followed by its repetitions as on the other Italian stages as well as abroad – among other in Vienna, in 1852 and in Ljubljana, in 1855. The audience in Paris saw it only two years later, since its staging was initially opposed to by Hugo himself, who soon became a zealous fan of this Verdi’s masterpiece. And it was indeed with it that the thirty eight years old composer reached his artistic maturity. With its heartbreaking and uniform drama Rigoletto certainly outperforms the other pieces from Verdi’s middle creative period. In his collection of works this opera announced a period, in which the composer’s works were marked by greater musical consistency and stronger individual character in comparison to any of the operas, composed by his Italian predecessors. Verdi’s melodics became even warmer and more distinctive, and although dominated by melodious element, the orchestra that convincingly created the mood and deepened the psychological background, was increasingly obtaining a more important role as well. Detlef Soelter, who has successfully revived on our stage Verdi’s Nabucco and also took part in the staging of the Monteverdi’s L’Orfeo, produced by the Ljubljana’s three artistic academies, is coming back to direct yet another staging of the Verdi’s famous operas.
Premiere on October 19th 2013
The Icelandic Opera stages Georges Bizet’s Carmen this year, with a premiere at Harpa Concert Hall on October 19th.
In leading roles are Hanna Dóra Sturludóttir/ Sesselja Kristjánsdóttir as Carmen, Kolbeinn Jón Ketilsson/Garðar Thór Cortes as Don José, Hrólfur Sæmundsson/Kristján Jóhannesson as Escamillo.
The conductor is Guðmundur Óli Gunnarsson, the director is Jamie Hayes, the set designer is Will Bowen, costumes are designed by Helga I. Stefánsdóttir and the choreographer is Lára Stefánsdóttir. The Icelandic Opera Choir, an Icelandic children Choir and Orchestra will furthermore participate in the production.
A tota
l of six performances of Carmen will take place at Harpa Concert Hall; on Saturday October 19th (premiere), Saturday October 25th, Saturday November 2nd, Sunday November 10th, Saturday November 16th and Saturday November 23th. All performances start at 8 pm. Tickets go on sale at www.harpa.is
| The Icelandic Opera – P.O. Box 1416 – 121 Reykjavik – ICELAND | ||
Tiziano Thomas Dossena, Author & Editor
Di Raffaele Pisani
A memoir by Cav. Gilda Battaglia Rorro Baldassari